Film

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...

Film Janik Peeters -

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...

Film Tom Cockburn -

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he...

Film David Percival -

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...

Film Arthur Meynell -

Latest

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term in Keble O’Reilly Theatre. Each day featured a variety of...

The lost art of the intermission, and why the film industry needs to bring it back

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating...

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember this scene from the bard’s masterpiece? You won’t forget it...

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to tell a compelling story. As an audience member, they can...

Nosferatu: From Murnau to Eggers

Over one hundred years since its first screening, F.W. Murnau’s Nosferatu: A Symphony of Horror (1922) is not as terrifying as it once was,...

The Ultimate Picture Palace: A Profile

The Ultimate Picture Palace has been at the forefront of Oxford’s cinema scene for over a century. First opening in 1911, under the enthusiastic...

Maria – Pablo Larraín’s grab at ‘high art’

Countless documentaries have been made, and even more biographies published on the life of Maria Callas (1923-1977). She has become a mythical woman upon...

“Wait and Hope” – The Count of Monte Cristo: Review

The Count of Monte Cristo premiered at the Cannes Film Festival in 2024 to little fanfare. However, it turned out to be a stunning...

The Globes and what we’re getting wrong

“Thirty years ago,” Demi Moore told a wildly enthusiastic Golden Globes audience, “I had a producer tell me that I was a ‘popcorn actress’...

Cherwell Film Editors Must-See Pictures of 2024

Cherwell’s Film Section Editors decided to get together and review their favourite releases of 2024. Ranging from animation to drama, these are the Editors’...

Has the modern movie musical lost its magic?

As I begin writing, my parents have just walked through the door having finally experienced the cultural phenomenon that is Wicked (2024). My mother...

Gladiator II: A lack-lustre return to Rome

With Gladiator II, Ridley Scott returns to the streets of imperial Rome not in triumph, but to decidedly muted applause.

Review: The Outrun

The Outrun Review: Choosing recovery in a wild place

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

12 3...24 Page 1 of 24

Film

September 5: Journalism drama doesn’t question the facts enough

Adolescence: Can TV spark radical change in young men?

Please, no more biopics!

Going Dreamy: The Singular Will of David Lynch

Follow us

Support Student Journalism

Explore

Follow us

More