Art

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

Confronting the future of art: ‘Responding to AI’ at Christ Church

‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.

Art Emma Heagney -

“Everything is political!”: How The Hot Mess Project is reviving Oxford’s creative communities

If you’ve been online recently, browsing in search of something to fill an empty...

Art Maya Heuer-Evans -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

Latest

From classic to controversial: Religious imagery’s bold evolution

Religious imagery has evolved – from an appreciation of spirituality to a damning critique of religion’s role in society. Significant contributions have been made...

Form, function, and art in the cultural weight of architecture

With roughly 55% of the world’s population living in cities, the urban world – the brainchild of architects – has become what most people...

Reframing Oxford’s controversial portraits

“All art is quite useless,” declared Oscar Wilde in the preface to The Picture of Dorian Grey. It’s a provocative claim, inviting us to...

Gregory Crewdson: How to remain relevant in the world of fine art photography

For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all...

Film photography: How I went from believer to sceptic

I’m far from the first person to point out the recent revival of analogue technologies. Ever since the late 2010’s, both vinyl records and...

‘Anselm Kiefer: Early Works’ review

I still remember the first time I saw Anselm Kiefer’s work. I was in the Pompidou Centre, Paris, and I’d been stumbling around the...

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic...

Exhibition 004: Oxford artistry across all mediums

When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...

Ancient Echoes, Modern Forms: Cheung Yee and contemporaries exhibition at the Ashmolean Review

Cienna Jennings explores the Ashmolean’s Reforming Abstraction exhibition, where abstract expressionism meets East Asian folklore and spirituality in the work of Cheung Yee and his contemporaries.

If walls could speak: Lessons from Cowley’s street art

Just a five-minute stroll from the imposing spires of Magdalen College lies Cowley Road, the heart of Oxford’s urban culture. Oxford, renowned for its...

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”

Doubts on Banksy

What is so enticing – and infuriating – about this mystery man’s slapdash approach to political commentary?

From the Chrysler to the Weston: 100 years of Art Deco

Florence Wolter explores the impact left by Art Deco on Oxford and European Culture. A century on, should we be looking forward, not back?

Celebrating two centuries of the National Gallery

Flo Wolter reflects on the impact and legacy of the iconic institution, now in its 200th year.

The art of rowing: In conversation with Emily Craig

After a formidable finish in the Lightweight Women’s double sculls at the 2024 Paris Olympics in August, Team GB’s Emily Craig and Imogen Grant...

Leonardo da Vinci and his devilish… boyfriend?

When we think of Leonardo da Vinci, the first things that come to mind are usually the Mona Lisa, The Last Supper, or his...

The artist and the photographer: An analysis of Francis Goodman’s Film negatives

An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.

A Future in the Light of Darkness review: Imagined engines of desire

Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to...

Freida Toranzo Jaeger’s Prophetic Glitter

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

Artificial insights: Decoding diversity and redefining art history with AI

In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.

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Art

What I learned from Tracey Emin about regeneration

Confronting the future of art: ‘Responding to AI’ at Christ Church

“Everything is political!”: How The Hot Mess Project is reviving Oxford’s creative communities

Art is an argument, so argue back

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