James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.
New research from the Oxford Internet Institute (OII), together with the University of Kentucky, reveals that global biases are reproduced and amplified by LLMs (Large Language Models).
The clean girl has become ubiquitous throughout celebrity culture, magazines, and social media in recent years. Her brand prescribes a lifestyle, a kind of idealised minimalism.
With flashing lights and a shower of confetti, Fennec Fox Productions’ Company bursts onto the Playhouse stage to deliver its exuberant portrayal of romantic pessimism, just in time for Valentine’s Day.
Translation should be more than mechanic substitution. It demands that the translator acts as a conduit, conveying the intricacies of emotion, style, and intention, while negotiating the hurdles of linguistic complexity.
In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
I’d been warned about the dating scene at Oxford. There’s something about self-entitlement that sharpens the sting of hook-up culture. One too many walks...
We all know the type, or at least the meme. The tote-bag sporting, wired-headphone wearing, matcha latte drinking, so-called ‘performative’ men flooding our social...