Patrick Gwillim Thomas

In my opinion, both sides make the same mistake here. They obsess over the leading man, either worrying that the holiday leaves us stranded or that it is necessary for him to rest before single-handedly facing the battles ahead. All of it leads to propping up the cult of personality that separates Boris from his party infrastructure.

'For a student work the topics discussed are close to home. It’s why the promise of a grounded and tender depiction of undeniably important years works so well. The piece made me feel like that time could be a bit more real, and so a bit more manageable.'

"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke." Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.