Louise Howland
Review: ‘T2 Trainspotting’
Louise Howland finds an addictive energy in sequel to cult classic Trainspotting
Exhausted tropes and the odd jump scare: ‘Split’ review
Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror
Review: the OBA Easter Projects
Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal
Profile: Anthony Geffen
Dare I say it: Anthony Geffen is a man who cannot be pigeonholed. A man best known for his professional partnership with living legend...
Review: Hush – a cat and mouse fight to the death
Hush negotiates the established conventions of the home-invasion horror concerning female victimhood, writes Louise Howland
Review: Victoria – the one-take film exhibits electric momentum
For Louise Howland, Victoria was less a film and more a transcendental journey through time, space, youth and love
Review: The Witch – stands apart from jump-scare drivel
Louise Howland regards newcomer Robert Eggers as an arthouse horror hero after an impressive directional debut
