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    Altair Brandon-Salmon

    Brideshead, revisited: Oxford then and now

    Altair Brandon-Salmon compares Charles Ryder’s day with our own

    Review: ‘Inspiring Impressionism: Daubigny, Monet, Van Gogh’; Scottish National Gallery

    Altair Brandon-Salmon is left mildly underwhelmed by the Scottish National Gallery's Impressionist exhibition

    Review: Miles Ahead – this is no hagiography

    Miles Ahead successfully connects the deeply flawed private man with his public persona, the greatest jazz musician of the twentieth century, writes Altair Brandon-Salmon