Culture
The rise of genre fluidity: Is this the death of genre as we know it?
My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering why. Whilst we may not...
Memory and Narrative in Miguel Gomes’ Tabu
"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."
Review: ‘The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003’ by Steve Coll
Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.
Self-Portrait of a Stranger: A Review of Frank Auerbach’s Charcoal Portraits
The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach...
Why don’t you come on over, Trinity?
Music Eds Josh Lowe and Charlie McCann bring you all that’s hip to trip for the coming term
Review: The Glass Menagerie
The Glass is half full and twice over, writes Dave McLeod
First Night: An Ideal Husband
Does the OFS's last hurrah burn the house down, or go up in a puff of smoke? Andrew McCormack finds out.
Win tickets to see The Disappearance of Alice Creed
A pair of tickets to a screening of The Disappearance of Alice Creed are up for grabs
Review: Dear John
Tediousness rescued only by moments of unintended comedy, says Poppy Hodgson
Vacation in Pictures Blog
For 0th week, a selection of photos from different Vacation experiences this Easter...
Review: I Speak Because I Can
There's nothing beardy or vegan about Laura Marling's latest offering, says Natalya Segrove
Review: Erasing David
A truly unsettling film about privacy in Great Britain
Review: Ellie Goulding at the O2 Academy
The refreshingly quirky vocalist doesn't disappoint, says Matthew Shribman
Interview: Ellie Goulding
"I sometimes worry that I'm lacking stimulation"
Review: Kick Ass
Offensive? Perhaps. Inappropriate? Maybe. Entertaining? Definitely.
Overrated
Jane-Marie Saldanha on why Jerry Maguire isn't worth an Oscar nomination.
Oxford Literary Festival: Ian McEwan and Craig Raine
Choose your literary pairings carefully, warns Izzy Boggild-Jones, to avoid in-jokes, tension or pointless questions
Oxford Literary Festival: Philip Pullman
The supreme storyteller delights a youthful audience.
